2008-04-27
Some Like it Hot
A still life from real life. How often do we look at these things without actually seeing them? This was a challenge to paint but I was very happy with the result. I gifted this to a friend who is particularly fond of heat.
Old Dogs
Red Armchair
2008-04-25
Don't mind if I do...
Crows
You might want to hand over those fries...
Patience
2008-04-20
Seagulls
2008-04-19
Stillettos
Sirens
This was my 2007 donation to the Gibsons Salmon Festival auction. Called "A Siren of Substance", she is painted on a four foot long plywood cutout. This is a fun exercise that forces you to think outside of the box (or rectangle)and I credit last year's entry for inspiring me to pick up a paint brush again.
2008-04-18
Curiosity Shop
2008-04-13
Bliss
In January of 2007, I had the opportunity to take a weekend workshop with local artist, Greta Guzek. I admire Greta immensely both as an artist and a person. She is also a marvellous teacher, providing the right amount of guidance, without over-influencing the painting. That weekend was better than going to a spa! Here is the result of the weekend's efforts; a painting (20x24) taken from a photograph of a Cuban scene. I chose this subject because I wanted the challenge of trying various textures and figures.
I could never come up with a satisfactory title for this piece. It remains in my "collection" (fancy way of saying it is stacked against the wall).
I could never come up with a satisfactory title for this piece. It remains in my "collection" (fancy way of saying it is stacked against the wall).
Baroque and Bugs
My next effort was rather ambitious. I had an idea for something somewhat surreal. I was not satisfied with the first version with the hand, however (I thought it appeared disconnected to the body) and despite labouring over the painting of it (hands are difficult!), I happily painted over it and added a few more bugs. There's two layers of Latin text on the final version too, although it doesn't show up very well in the photo. The border on the left has been distorted by the camera. This is on a 16x20 canvas.
First Version:
Final:
Basic traslation of the Latin: :It was like that when I got here"!
Final:
Basic traslation of the Latin: :It was like that when I got here"!
2008-04-12
Onward
I've decided to post a few pictures everyday until I get caught up. Hopefully a progression (read that as "improvement") will be noticeable as I will post them more-or-less in chronological order.
This was my first effort after "Incodnito". It's very small - 8x8 inches on canvas board. Tentative first steps. No reference & I think the inspiration came from a story I had read. The title is almost as big as the painting; A Dapper Little Man on a Stout Horse, Backwards".
Trying to find a style, I emulated one of my favourite artists, James Christensen in this little diptich. Each panel is 8x12. I gave the paintings to my nieces. Here's "Soup" (bad title, but I struggled on this one).
And then I bravely tackled real-life. I really wanted to paint my friend's dearly departed cat. I was surprised that I managed to get a reasonable likeness. She was pleased with the result anyway. Still small; 8x8 on canvas board.
Trying to find a style, I emulated one of my favourite artists, James Christensen in this little diptich. Each panel is 8x12. I gave the paintings to my nieces. Here's "Soup" (bad title, but I struggled on this one).
And then I bravely tackled real-life. I really wanted to paint my friend's dearly departed cat. I was surprised that I managed to get a reasonable likeness. She was pleased with the result anyway. Still small; 8x8 on canvas board.
A Change of Direction
Yes, it has been quite a while.
Truth is, I haven't created a sculpted character in well over a year. I can't quite explain it - I just "hit a wall". My timing was poor, since I was right smack dab in the middle of a commission, but I suddenly realised that I just wasn't enjoying it the way I used to. At least I wasn't getting out of it what I needed to, creatively. I hadn't run out of ideas (far from it!) but the actual construction process was just too much hard work and too slow. I'm an "instant gratification" kind of person. Besides that, my sales fizzled and I wasn't prepared to give them away.
So that is the whole sad story....
Well, actually, it's not.
You can't keep a creative soul unfulfilled. Around the same time, a friend was organizing a local salmon festival. She had produced over a hundred 4ft long plywood fish. These were to be embellished by local artisans and auctioned off. She talked me into doing one, so I grabbed my craft paints and went at it. "Incodnito" is the result. Since then, I haven't stopped painting (I'm using better quality paints these days), and while I haven't given up entirely on the characters, I haven't felt the urge to revisit that artform quite yet. Maybe later...
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